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Description of Individual Course UnitsCourse Unit Code | Course Unit Title | Type of Course Unit | Year of Study | Semester | Number of ECTS Credits | RSM308B.2 | | Elective | 3 | 6 | 4 |
| Level of Course Unit | First Cycle | Objectives of the Course | Discussing the relationship between aesthetics and architecture; emphasizing the existence, importance and place of aesthetics in every step of design, in social, cultural and everyday life, in architecture. | Name of Lecturer(s) | Doç. Dr. Ümit Ayata | Learning Outcomes | 1 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 2 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 3 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 4 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 5 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 6 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 7 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 8 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 9 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 10 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 11 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 12 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 13 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 14 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 15 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. | 16 | Will be able to question the concept of aesthetics in the historical change-development process.
Will be able to define the function of subject and object concepts in aesthetic perception.
They will be able to test the primary senses, visual and auditory senses' participation in the process of pleasure in aesthetic perception. |
| Mode of Delivery | Normal Education | Prerequisites and co-requisities | yok | Recommended Optional Programme Components | Roberto Masiero,2006, Mimaride Estetik, Dost Kitabevi, İstanbul Semra Aydınlı,1992, Mimarlıkta Görsel Analiz, İTÜ Mimarlık Fakültesi Yayını, İstanbul. Gençosmanoğlu Beşgen, A. , 2001, Estetik ve Mimarlıkta Kavram, Kavramsal Analiz, Kavramlaştırma / 1980 Sonrası Mimarlık Ürünleri Üzerine Örneklemeler, Doktora Tezi, Karadeniz Teknik Üniversitesi, Fen Bilimleri Enstitüsü, Trabzon. | Course Contents | Basic concepts: Aesthetics, beauty, art and architecture. Science of aesthetics and problem areas, aesthetic doctrines, environmental aesthetics, Gestalt theory in perception, aesthetics as an evaluation criterion in architecture, volumetric aesthetics in architecture, visual balance. Concepts related to form properties: Unit size, unity measure, proportion, rhythm, symmetry. Forming approaches: Thinking of form, visualization and abstract/concrete form, abstraction/concrete, creation of form, idea and concept development, starting from product features. Perceptual aesthetics, symbolic aesthetics, formal aesthetics. Demonstration with examples, project study, implementation and production. | Weekly Detailed Course Contents | |
1 | Definition and scope of the course. aesthetics as science | Definition and scope of the course. aesthetics as science | Definition and scope of the course. aesthetics as science | 2 | Subjectivist- psychological aesthetics, aesthetic attitudes. | Subjectivist- psychological aesthetics, aesthetic attitudes. | Subjectivist- psychological aesthetics, aesthetic attitudes. | 3 | Aesthetic object analysis- Art and artistic creation | Aesthetic object analysis- Art and artistic creation | Aesthetic object analysis- Art and artistic creation | 4 | Artistic content. Demonstration with examples, working on a project, its application. | Artistic content. Demonstration with examples, working on a project, its application. | Artistic content. Demonstration with examples, working on a project, its application. | 5 | Artistic Form. Demonstration with examples, working on a project, its application | Artistic Form. Demonstration with examples, working on a project, its application | Artistic Form. Demonstration with examples, working on a project, its application | 6 | Concept of Beauty, beauty in nature, beauty in art. | Concept of Beauty, beauty in nature, beauty in art. | Concept of Beauty, beauty in nature, beauty in art. | 7 | evelopment and change of the concepts of beauty and aesthetics in the historical process; 20th century introduction to aesthetic theories. | evelopment and change of the concepts of beauty and aesthetics in the historical process; 20th century introduction to aesthetic theories. | evelopment and change of the concepts of beauty and aesthetics in the historical process; 20th century introduction to aesthetic theories. | 8 | MIDTERM EXAM | MIDTERM EXAM | MIDTERM EXAM | 9 | Art in terms of aesthetics, spatial analysis. with examples | Art in terms of aesthetics, spatial analysis. with examples | Art in terms of aesthetics, spatial analysis. with examples | 10 | Perception, introduction to the concepts of perception; the place of beauty and aesthetics in human-perception-perception fiction; types of perception auditory, tactile, olfactory and visual perception; detection conditions; the concepts of intuition, emotion, feeling, thinking in perception and aesthetics. Demonstration with examples, working on a project, its application. | Perception, introduction to the concepts of perception; the place of beauty and aesthetics in human-perception-perception fiction; types of perception auditory, tactile, olfactory and visual perception; detection conditions; the concepts of intuition, emotion, feeling, thinking in perception and aesthetics. Demonstration with examples, working on a project, its application. | Perception, introduction to the concepts of perception; the place of beauty and aesthetics in human-perception-perception fiction; types of perception auditory, tactile, olfactory and visual perception; detection conditions; the concepts of intuition, emotion, feeling, thinking in perception and aesthetics. Demonstration with examples, working on a project, its application. | 11 | Relationship between perception, aesthetics and architecture; changing definitions of aesthetics in the context of perception in the historical process of architecture; the place and importance of the concepts of beauty and aesthetics in architecture. Demonstration with examples, working on a project, its application. | Relationship between perception, aesthetics and architecture; changing definitions of aesthetics in the context of perception in the historical process of architecture; the place and importance of the concepts of beauty and aesthetics in architecture. Demonstration with examples, working on a project, its application. | Relationship between perception, aesthetics and architecture; changing definitions of aesthetics in the context of perception in the historical process of architecture; the place and importance of the concepts of beauty and aesthetics in architecture. Demonstration with examples, working on a project, its application. | 12 | Aesthetic evaluation methods in architecture: Sensory aesthetics; sensation, pleasure concepts; Discussion on sensory aesthetics in architecture. Demonstration with examples, working on a project, its application. | Aesthetic evaluation methods in architecture: Sensory aesthetics; sensation, pleasure concepts; Discussion on sensory aesthetics in architecture. Demonstration with examples, working on a project, its application. | Aesthetic evaluation methods in architecture: Sensory aesthetics; sensation, pleasure concepts; Discussion on sensory aesthetics in architecture. Demonstration with examples, working on a project, its application. | 13 | Aesthetic evaluation methods in architecture: Introduction to symbolic aesthetics; introduction to the concepts of symbol, image, meaning, symbolic meaning; building form, spatial configurations, materials, the essence of enlightenment, the concept of inherent color; Discussion on symbolic aesthetics in architecture. Demonstration with examples, project study, implementation and production. | Aesthetic evaluation methods in architecture: Introduction to symbolic aesthetics; introduction to the concepts of symbol, image, meaning, symbolic meaning; building form, spatial configurations, materials, the essence of enlightenment, the concept of inherent color; Discussion on symbolic aesthetics in architecture. Demonstration with examples, project study, implementation and production. | Aesthetic evaluation methods in architecture: Introduction to symbolic aesthetics; introduction to the concepts of symbol, image, meaning, symbolic meaning; building form, spatial configurations, materials, the essence of enlightenment, the concept of inherent color; Discussion on symbolic aesthetics in architecture. Demonstration with examples, project study, implementation and production. | 14 | Methods of aesthetic evaluation in architecture: Introduction to formal aesthetics; concepts of composition, gestalt, order, proportion, movement, rhythm, dominance, balance, unity; Discussion on formal aesthetics in architecture. | Methods of aesthetic evaluation in architecture: Introduction to formal aesthetics; concepts of composition, gestalt, order, proportion, movement, rhythm, dominance, balance, unity; Discussion on formal aesthetics in architecture. | Methods of aesthetic evaluation in architecture: Introduction to formal aesthetics; concepts of composition, gestalt, order, proportion, movement, rhythm, dominance, balance, unity; Discussion on formal aesthetics in architecture. | 15 | Homework submission, course evaluation and discussion. | Homework submission, course evaluation and discussion. | Homework submission, course evaluation and discussion. | 16 | END OF SEMESTER EXAM | END OF SEMESTER EXAM | END OF SEMESTER EXAM |
| Recommended or Required Reading | Dersin Kitabi / Malzemesi / Önerilen Kaynaklar
Lucas, G., 1978,1981,Estetik I-II, (Çev: Ahmet Cemal) , Payel Yayınevi, İstanbul. Tunalı, İ., 1979, Estetik, Bahar Matbaası, İstanbul | Planned Learning Activities and Teaching Methods | | Assessment Methods and Criteria | |
Midterm Examination | 1 | 100 | SUM | 100 | |
Final Examination | 1 | 100 | SUM | 100 | Term (or Year) Learning Activities | 40 | End Of Term (or Year) Learning Activities | 60 | SUM | 100 |
| Language of Instruction | Turkish | Work Placement(s) | yok |
| Workload Calculation | |
Midterm Examination | 1 | 1 | 1 | Final Examination | 1 | 2 | 2 | Self Study | 10 | 6 | 60 | Individual Study for Mid term Examination | 4 | 6 | 24 | Individual Study for Final Examination | 4 | 6 | 24 | |
Contribution of Learning Outcomes to Programme Outcomes | LO1 | | | | | | | LO2 | | | | | | | LO3 | | | | | | | LO4 | | | | | | | LO5 | | | | | | | LO6 | | | | | | | LO7 | | | | | | | LO8 | | | | | | | LO9 | | | | | | | LO10 | | | | | | | LO11 | | | | | | | LO12 | | | | | | | LO13 | | | | | | | LO14 | | | | | | | LO15 | | | | | | | LO16 | | | | | | |
| * Contribution Level : 1 Very low 2 Low 3 Medium 4 High 5 Very High |
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