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| 1 | Course information and expectations from the course | Ratio-Proportion.
Contribution of different materials to linear expression.
Drafts with different materials from the live model. | |
| 2 | Inner form - outer form, the contribution of light and shadow to form expression. drawing patterns from a live model in charcoal technique. | | |
| 3 | | Drawing patterns from a live model in charcoal technique. | |
| 4 | Creating space (illusion of depth) in the context of figure, object, space relations. | Charcoal (charcoal pencil). Examples from art history
linear pattern work in charcoal technique from a live model within the space. | |
| 5 | | Continuation of the course | |
| 6 | | Continuation of the course | |
| 7 | | Continuation of the course | |
| 8 | Midterm exam | | |
| 9 | Material and technical information: Examples from art history
a drawing study with a pencil from a fiction consisting of organic and inorganic (artificial and natural) objects. | Creating space in the context of figure, object, space relations. | |
| 10 | Texture Information, texture types. Analysis of the effects of light on the surface in the linear expression of different textures. | Drawing with a pencil from a fiction consisting of organic and inorganic objects. | |
| 11 | | Continuation of the course | |
| 12 | Analysis of the effects of light on the surface in the stain expression of different textures. | Lavi work from a fiction consisting of organic and inorganic objects | |
| 13 | | Continuation of the course | |
| 14 | | Continuation of the course | |
| 15 | | Continuation of the course | |
| 16 | Final | | |